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Posted by Jeffrey L. Neumann
Jeffrey L. Neumann
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on Sunday, 18 September 2011
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WTaghkanicDiner2-JLN

Back in the late 1970’s I decided not to paint diners. I recently changed my mind about that decision. The West Taghkanic Diner, painted in 2011, is my first diner painting. To those that are familiar with my work this may come as a surprise. In describing my work or attempting to understand it, people often say things like, “Oh, I get it, you paint Route 66, 1950’s type stuff, diners and the like.” True enough, but until now, I had not painted a single diner.

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Posted by Jeffrey L. Neumann
Jeffrey L. Neumann
Jeffrey L. Neumann has not set their biography yet
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on Thursday, 18 August 2011
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MillersDogHouseMillers Dog House, oil on canvas 22“x30” collection of Dan Williams

Research in psychology has documented the fact that certain areas of the brain’s prefrontal cortex, specifically the ones that affect good judgment, are not fully developed until around age 25 or later. My escape from the Minneapolis winter of ’74 to the sun and fun of Florida was one of a few things I did in my young life that “seemed like a good idea at the time” but it definitely had two sides.

My artwork is about, among other things, the dual nature of the American experience. The exciting adventure and romance of the open road is a part of it, but the emptiness and creeping melancholy of the lonesome traveler is also in there. If an artist attempts to capture the soul of America there has to be a yin and a yang to it. The second painting from my Florida experience, “Miller’s Dog House,” contains a little of both.

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Posted by Jeffrey L. Neumann
Jeffrey L. Neumann
Jeffrey L. Neumann has not set their biography yet
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on Sunday, 07 August 2011
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grpfrut140People often say things that strike me as odd when viewing my paintings. Perhaps because most people have very little art education beyond high school. How can I blame them when they struggle for something to say about my work? Even so, I still find it surprising that people frequently ask me “Are these paintings of real places?” My standard response is that; “I can’t make this stuff up.” The question of whether or not these places are REAL, however, is actually not that strange when I think about it. A more accurate answer might be; “The subjects I paint come from real places, but the paintings are created through a combination of observation and imagination.” The Grapefruit Truck painting is an example.

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